Since he came to the UK in the 1990s, saxophonist Gilad Atzmon has displayed a rare knack for joining jazz improv surprises to lyricism and catchy grooves. An Atzmon set can rampage through rapturous love songs unceremoniously invaded by funk and bebop; bursts of free-jazz and dense Bitches Brew electronics; maybe veer into a lateral take on Wonderful World; or classical references upstaged by through-the-horn guffaws. He also runs an imaginative venture dedicated to Charlie Parker's sax-and-strings music of the late-1940s, tomorrow's Brighton gig being a reprise of that entertaining show. The others are for Atzmon's Orient House Ensemble, the world-jazz group now celebrating a decade of colliding American, central European and middle eastern music.
Corn Exchange, Brighton, Sun; Jazz Bar, Edinburgh, Wed; Montrose Folk Club, Links Hotel, Fri